It appeared wordlessly on the ivory and gold votive chest of the 7th-century BC tyrant Cypselus at Olympia, which was described by Pausanias as showing: The later writers Ovid ( Heroides 16.71ff, 149–152 and 5.35f), Lucian ( Dialogues of the Gods 20), Pseudo-Apollodorus ( Bibliotheca, E.3.2) and Hyginus ( Fabulae 92), retell the story with skeptical, ironic or popularizing agendas. The brief allusion to the Judgement in the Iliad (24.25–30) shows that the episode initiating all the subsequent action was already familiar to its audience a fuller version was told in the Cypria, a lost work of the Epic Cycle, of which only fragments (and a reliable summary ) remain. 540–530 BC), now in the Metropolitan Museum of ArtĪs with many mythological tales, details vary depending on the source. See also: Trojan War in literature and the artsĪttic black-figure neck amphora by Swing Painter (c.
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